![]() ![]() ![]() Rolling Stone spoke with Guadagnino about the experience of working in television, the matter of Caitlin/Harper’s true identity, the messy relationship between Fraser and his mother Sarah (Chloë Sevigny), some of the series’ most memorable music and cinematography choices, and a lot more. And while in many ways the series felt like a really long version of one of Guadagnino’s films, there were also clearly delineated stories for each episode, from an impromptu wedding between two friends of Caitlin to the finale’s trip to a Blood Orange concert in the city of Bologna for Caitlin and Fraser (Jack Dylan Grazer) - the latter story ending in a late-night kiss between the previously platonic duo. The acclaimed filmmaker behind Call Me By Your Name and Suspiriacame to this project a television novice. That notion of shifting identity applies as well to the show’s director and co-writer, Luca Guadagnino. It was also one of this year’s best shows. It was also a story of transitions and shifting identities, set on an Army base trying to approximate an American experience on Italian soil, and with a central character - sometimes called Caitlin, sometimes Harper (and always played, brilliantly, by newcomer Jordan Kristine Seamón) - trying to figure out if they’re trans or not. We Are Who We Are was many things: a coming-of-age tale, a love story, and an examination of military culture in the very recent past, among others. ![]() This post contains spoilers for all eight episodes of the HBO series We Are Who We Are. ![]()
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